Daniel Radcliffe says Broadway’s ‘Every Brilliant Thing’ feels ‘freeing’ through audience interaction
LOS ANGELES, CALIFORNIA: Daniel Radcliffe has opened up about his experience performing in Broadway's ‘Every Brilliant Thing’, describing the production as a rare kind of theater where audience participation directly shapes each show. He said the format has changed how he approaches live performance, pushing him into constant real-time interaction with audiences.
The Tony-nominated actor, who earned a 2026 Tony Award nomination for Best Leading Actor in a Play, also reflected on the Broadway run’s strong commercial performance, noting that the production recouped its $5.75 million cost within just 10 weeks at the Hudson Theatre.
Daniel Radcliffe says audience interaction in ‘Every Brilliant Thing’ feels ‘freeing’
The Broadway production of ‘Every Brilliant Thing’, written by Duncan Macmillan with Jonny Donahoe and directed by Jeremy Herrin and Macmillan, relies heavily on audience participation, making every performance unique.
Before each show at the Hudson Theatre, Radcliffe personally interacts with audience members to gauge their comfort level with participation during the play. He described the experience by saying, “It is very freeing.”
He explained that for most of his life he has tried to avoid engaging with strangers in public, adding that the production now requires him to do the opposite every night.
Radcliffe said the unpredictable nature of audience involvement has become one of the most rewarding aspects of the show. Audience members may be asked to read cue cards or take part in small scenes, always on a voluntary basis.
“If somebody doesn’t want to do it, we absolutely move on immediately,” he said, stressing that the goal is never to make anyone uncomfortable. “The goal is never to embarrass anyone.”
He added that audiences are generally enthusiastic and willing to participate. “People are very excited and game and fun, and they want to be a part of it,” he said.
Daniel Radcliffe reflects on emotional depth and audience reactions in Broadway play
The play follows a man reflecting on his life through a list of small, meaningful joys while also confronting his mother’s depression and his own emotional struggles. It has previously been staged in more than 80 countries and adapted into an HBO special.
Radcliffe said the emotional balance of the production is what makes it stand out. “It’s a play about depression and suicide that is ultimately incredibly hopeful,” he said, describing it as a shared, uplifting experience despite its serious themes.
He also spoke about lighter moments during performances, including audience members occasionally attempting to bring ‘Harry Potter’ books on stage during interactive segments. He said these moments are usually playful, but he avoids engaging so the focus remains on the story.
Reflecting on the production, he called it one of the most meaningful theatrical experiences of his career, saying it has been creatively fulfilling and emotionally grounding.
Radcliffe’s final performance in the current run took place on Sunday, May 24, with Mariska Hargitay and Tracee Ellis Ross set to continue the Broadway run at the Hudson Theatre.
